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| Janith expresses my feelings exactly. |
We started our painting week at the mouth of the Duck Trap River, which gave us several iconic Maine vistas—a rocky promontory, a shingle beach, small boats swinging on their lines, and a lovely old concrete bridge. The weather was superlative.
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| Nancy's painting of Howe Point. |
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| Marjean's beautiful hat. |
The first day of any workshop is dominated by questions of set-up, where new ideas meet old kits, or new painters learn to use their tools for the first time. This was exacerbated by having so many new painters in the group, but Sandy Quang is my monitor, and she helped get them all set up and working. I consider a first painting to be a success if the paint gets stuck to the canvas in a sensible order; everyone did that and much more.
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| Brad's painting of the bridge and the Duck Trap River. |
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| It's very rare that I demo at the beginning of a workshop, but with so many new painters in the group, it made sense. |
The tide presents questions of painting (as objects appear and disappear, and angles change) but the supermoon meant a supertide, and it was a thief. First it stole Hal’s belongings. Lyn went in after them, and rescued everything but his shoes. A team of friendly canoers kindly raced around the bar and saved his shoes. Then my umbrella went aloft and ended up in the drink. Hal returned the favor by diving in after it. My fault: I’ve already lost that umbrella once; in the Rio Grande, and I should have known to check that it was tethered. And the tide lifted two stuff sacks from Janith's kit, too.
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| Dinghy, 8X6, oil on canvasboard, by me. |
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| Critique session. |
It’s a beautiful foggy morning today; my favorite for painting in harbors. And today we’ll be at Belfast’s public landing, so it is all working out perfectly.
Message me if you want information about next year’s programs. Information is available here.
